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never Say Never Again Is the Remake of Which James Bond Movie?

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Never Say Never Again is the 2nd James Bond theatrical motion-picture show not produced by EON Productions and the second movie adaptation of the story Thunderball. Released in 1983, it stars Sean Connery in his 7th and final film operation as British Secret Service agent James Bond. It was released theatrically by Warner Bros.

The film is not considered part of the canon of the Bond film franchise from EON Productions and United Artists and is not produced by Albert R. Broccoli, despite information technology currently being handled by the official film series benefactor, MGM. MGM acquired the distribution rights in 1997 afterwards their acquisition of Orion Pictures. The film also marks the culmination of a long legal battle between United Artists and Kevin McClory. Its release contrary the franchise Bond picture show Octopussy (starring Roger Moore) quickly led the media to dub the state of affairs the "Boxing of the Bonds".

In November 2013, the McClory Estate and EON Productions reached an agreement transferring all rights to Fleming'south Thunderball, the system of SPECTRE, and the character of Ernst Stavro Blofeld to EON.

Contents

  • i Plot summary
  • 2 Changes to the Bail universe
  • 3 Production
    • 3.ane Cast and crew
    • 3.2 Filming
    • iii.3 Music
  • 4 Cast and Characters
  • 5 Crew
  • 6 Comic Accommodation
  • 7 Images
  • 8 Trivia
  • ix Run across also
  • ten References
  • 11 External links

Plot summary

Being the second adaptation of the novel Thunderball, Never Say Never Once again follows a similar plotline to the earlier motion picture, simply with some differences.

The film opens with a middle-aged, however still athletic James Bail making his way through an armed camp in order to rescue a daughter who has been kidnapped. Later on killing the kidnappers, Bond lets his guard down, forgetting that the girl might have been subject to Stockholm syndrome (in which a kidnapped person comes to identify with his/her kidnappers) and is stabbed to death by her. Or so information technology seems.

In fact, the attack on the camp is cypher more than a field training exercise using blank ammunition and faux knives, and one Bond fails considering he ends upwardly "dead". A new Yard is at present in role, one who sees lilliputian use for the 00-section. In fact, Bond has spent nearly of his recent time teaching, rather than doing, a fact he points out with some resentment.

Feeling that Bail is slipping, M orders him to enroll in a health dispensary in lodge to "eliminate all those gratis radicals" and get dorsum into shape. While at that place, Bond discovers a mysterious nurse, Fatima Chroma, and her patient, who is wrapped in bandages. His suspicions are aroused even further when a thug (Lippe) tries to impale him.

Chroma and her accuse, an American Air Forcefulness pilot named Jack Petachi, are in fact operatives of SPECTRE, a criminal organization run by Ernst Stavro Blofeld. Petachi has undergone an performance to alter one of his retinas to lucifer the retinal design of the American President. Using his position as a pilot, and the president'southward middle blueprint to circumvent security, Petachi infiltrates an American war machine base in England and orders the dummy warheads in two prowl missiles replaced with two live nuclear warheads, which SPECTRE captures and uses to extort billions of dollars from the governments of the world.

One thousand reluctantly reactivates the 00 section, and Bond is assigned the task of tracking down the missing weapons, beginning with a rendezvous with Domino Petachi, the pilot'south sis, who is kept a virtual prisoner past her lover, Maximillian Largo. Bond pursues Largo and his yacht to the Bahama islands, where he engages Domino, Fatima Blush, and Largo in a game of wits and resources equally he attempts to derail SPECTRE's scheme.

Changes to the Bond universe

The film makes a few changes to the James Bond universe. MI6 is shown to be underfunded and understaffed, particularly with regards to Q-Co-operative, and the graphic symbol Q is referred to by the name "Algernon", and is presumably a dissimilar individual than the Q in the official Bail films (whose name is Major Boothroyd). The film besides appears to take place in an "alternating universe" in which none of the events of Y'all Merely Live Twice, On Her Majesty's Hugger-mugger Service, Diamonds Are Forever and the opening sequence of For Your Eyes Only have occurred, since Blofeld is alive and obviously previously unknown to Bond and MI6. Despite sharing many basic similarities with Thunderball, the course of events throughout the moving picture are dissimilar plenty for it to be more than a direct remake, and the action clearly takes place at a much afterward date (contemporary with the film'southward production).

The picture is notable for depicting Felix Leiter, Bond's CIA colleague, as an African-American, something which would not occur in the EON series until Casino Royale in 2006. The film besides makes a major departure from official continuity by catastrophe with Bond indicating his intention to retire from MI6 - while Bond had considered retirement in On Her Majesty's Secret Service, he is shown to be unsure of the decision and afterward chooses to stay with the service. In the scene where Bail states his intention to quit, Connery breaks the 4th wall by winking at the camera; while this is incorrectly considered by many as being unique to this flick, George Lazenby was in fact the first Bond to break the fourth wall most xv years before when he told the audience, "This never happened to the other young man" (referring to Connery, the man he had replaced as Bail).

Production

Never Say Never Over again had its origins in the early 1960s, post-obit the controversy over the 1961 Thunderball novel.[1] Fleming had worked with independent producer Kevin McClory and scriptwriter Jack Whittingham on a script for a potential Bond picture, to exist called Longitude 78 West,[two] which was afterward abandoned because of the costs involved.[3] Fleming, "always reluctant to let a practiced idea lie idle",[3] turned this into the novel Thunderball, for which he did non credit either McClory or Whittingham;[iv] McClory then took Fleming to the High Court in London for breach of copyright[4] and the matter was settled in 1963.[2] After Eon Productions started producing the Bond films, it after made a deal with McClory, who would produce Thunderball, and and so not brand any further version of the novel for a menstruum of ten years post-obit the release of the Eon-produced version in 1965.[5]

Warhead (1978) concept artwork - interior of the Statue of Liberty depicting docking bedroom with a submarine, and a robot 'Hammerhead' shark hanging.

In the mid-1970s McClory again started working on a project to bring a Thunderball adaptation to production and, with the working title Warhead, he brought writer Len Deighton together with Sean Connery to work on a script.[six] The script ran into difficulties after accusations from Eon Productions that the projection had gone beyond copyright restrictions, which bars McClory to a motion picture based on the Thunderball novel merely, and in one case once again the project was deferred.[v]

Towards the cease of the 1970s developments were reported on the projection under the name James Bond of the Hugger-mugger Service,[5] only when producer Jack Schwartzman became involved and cleared a number of the legal bug that still surrounded the project[one] he brought on board scriptwriter Lorenzo Semple, Jr.[7] to work on the screenplay. Connery was unhappy with some aspects of the piece of work and asked Tom Mankiewicz, who had rewritten Diamonds Are Forever, to work on the script; nevertheless Mankiewicz declined as he felt he was under a moral obligation to Cubby Broccoli.[8] Connery then hired British television writers Dick Clement and Ian La Frenais[nine] to undertake re-writes, although they went uncredited for their efforts because of a restriction by the Writers Guild of America.[half-dozen]

The film underwent i final change in title: after Connery had finished filming Diamonds Are Forever he had pledged that he would "never" play Bond once more.[6] Connery's wife, Micheline, suggested the title Never Say Never Again, referring to her husband'due south vow[10] and the producers acknowledged her contribution by listing on the end credits "Championship "Never Say Never Again" by: Micheline Connery". A terminal effort by Fleming's trustees to block the film was made in the High Court in London in the spring of 1983, but this was thrown out by the courtroom and Never Say Never Again was permitted to proceed.[5]

Cast and crew

When producer Kevin McClory had beginning planned the picture show in 1964 he held initial talks with Richard Burton for the role of Bond,[11] although the projection came to nothing because of the legal issues involved. When the Warhead project was launched in the belatedly 1970s, a number of actors were mentioned in the trade press, including Orson Welles for the office of Blofeld, Trevor Howard to play M and Richard Attenborough equally director.[vi]

In 1978 the working title James Bail of the Secret Service was being used and Connery was in the frame once again, potentially going head-to-head with the next Eon Bond film, Moonraker.[12] Past 1980, with legal problems again causing the projection to founder,[6] Connery thought himself unlikely to play the function, as he stated in an interview in the Lord's day Express: "when I kickoff worked on the script with Len I had no thought of actually being in the film".[thirteen] When producer Jack Schwartzman became involved, he asked Connery to play Bail; Connery agreed, asking (and getting) a fee of $3 million, ($seven million in 2022 dollars) a percentage of the profits, every bit well as casting and script approval.[half-dozen] Subsequent to Connery reprising the role, the script has several references to Bond's advancing years – playing on Connery being 52 at the fourth dimension of filming[6] – and academic Jeremy Black has pointed out that there are other aspects of age and disillusionment in the flick, such as the Shrubland's porter referring to Bond's car ("They don't make them like that anymore."), the new Chiliad having no use for the 00 section and Q with his reduced budgets.[14]

For the main villain in the motion-picture show, Maximillian Largo, Connery suggested Klaus Maria Brandauer, the atomic number 82 of the 1981 Academy Accolade-winning Hungarian moving-picture show Mephisto.[vii] Through the aforementioned route came Max von Sydow equally Ernst Stavro Blofeld,[xv] although he withal retained his Eon-originated white cat in the film.[xvi] For the femme fatale, director Irvin Kershner selected former model and Playboy cover girl Barbara Carrera to play Fatima Blush – the proper noun coming from one of the early scripts of Thunderball.[6] Carrera's functioning as Fatima Blush earned her a Golden Globe Accolade nomination for Best Supporting Actress,[17] which she lost to Cher for her role in Silkwood.[18] Micheline Connery, Sean's wife, had met upward-and-coming extra Kim Basinger at a hotel in London and suggested her to Connery, which he agreed upon.[6] For the role of Felix Leiter, Connery spoke with Bernie Casey, maxim that equally the Leiter role was never remembered by audiences, using a black Leiter might brand him more memorable.[7] Others cast included comedian Rowan Atkinson, who would later on parody Bail in his role of Johnny English language.[19]

Former Eon Productions' editor and director of On Her Majesty'due south Secret Service, Peter R. Chase, was approached to direct the film simply declined due to his previous piece of work with Eon.[xx] Irvin Kershner, who had achieved success in 1980 with The Empire Strikes Back was then hired. A number of the crew from the 1981 film Raiders of the Lost Ark were likewise appointed, including first assistant director David Tomblin, director of photography Douglas Slocombe and production designers Philip Harrison and Stephen Grimes.[7] [15]

Filming

A large, sleek ship is moored at a quayside

The Kingdom 5KR which acted equally Largo'due south ship, the Flying Saucer

Filming for Never Say Never Once more began on 27 September 1982 on the French Riviera for two months[half-dozen] before moving to Nassau, the Commonwealth of the bahamas in mid-November[7] where filming took place at Clifton Pier, which was as well 1 of the locations used in Thunderball.[six] The Spanish urban center of Almería was also used as a location.[21] Largo's Palmyran fortress was actually historic Fort Carré in Antibes.[22] For Largo's ship, the Flight Saucer, the yacht Nabila, owned by Saudi billionaire, Adnan Khashoggi, was used. The boat, now owned by Prince Al-Waleed bin Talal, has after been renamed the Kingdom 5KR.[23] Primary photography finished at Elstree Studios where interior shots were filmed.[6] Elstree besides housed the Tears of Allah underwater cavern, which took three months to construct.[6] Most of the filming was completed in the bound of 1983, although in that location was some additional shooting during the summer of 1983.[seven]

Production on the moving-picture show was troubled,[15] with Connery taking on many of the production duties with assistant director David Tomblin.[6] Director Irvin Kershner was disquisitional of producer Jack Schwartzman, saying that whilst he was a adept man of affairs, "he didn't have the experience of a picture show producer".[half dozen] After the production ran out of money, Schwartzman had to fund further production out of his ain pocket and subsequently admitted he had underestimated the amount the film would toll to make.[15]

Steven Seagal, who was the fight choreographer for this film, broke Connery's wrist while training. On an episode of The Tonight Show with Jay Leno, Connery revealed he did not know his wrist was broken until over a decade later.[24]

Many of the elements of the Eon-produced Bail films were not nowadays in Never Say Never Again for legal reasons. These included the gun barrel sequence, where a screen full of 007 symbols appeared instead, and similarly there was no "James Bond Theme" to use, although no effort was fabricated to supply another tune.[7] A pre-credits sequence was filmed but not used;[xv] instead the film opens with the credits run over the top of the opening sequence of Bond on a training mission.[half-dozen]

Music

The music for Never Say Never Again was written by Michel Legrand, who equanimous a score similar to his work every bit a jazz pianist.[25] The score has been criticised as "anachronistic and misjudged",[half dozen] "bizarrely intermittent"[15] and "the about disappointing feature of the motion picture".[vii] Legrand also wrote the master theme "Never Say Never Again", which featured lyrics by Alan and Marilyn Bergman—who had likewise worked with Legrand in the Academy Accolade winning song, "The Windmills of Your Mind"[26]—and was performed by Lani Hall[7] after Bonnie Tyler, who disliked the vocal, had reluctantly declined.[27]

Phyllis Hyman also recorded a potential theme vocal, written past Stephen Forsyth and Jim Ryan, but the vocal—an unsolicited submission—was passed over given Legrand's contractual obligations with the music.[28]

Bandage and Characters

Crew

MGM DVD cover.

  • Directed by: Irvin Kershner
  • Screenplay past: Lorenzo Semple Jr.
  • Produced by: Jack Schwartzman, Kevin McClory (executive), Michael Dryhurst (acquaintance)
  • Cinematography by Douglas Slocombe
  • Music composed by: Michel Legrand

Comic Adaptation

Argentinean publisher Editora Columba, who published several original Spanish-language James Bail pic adaptations in various D'artagnan comic magazines during the '60s and '70s, adapted Never Say Never Again in 1984.

Images

Trivia

  • This is the only Bond moving-picture show to be directed by an American. The motion picture'due south director, Irvin Kershner, had previously directed Sean Connery in A Fine Madness.
  • The moving-picture show championship comes from Sean Connery'south statement when asked if he would ever play Bond once more after Diamonds Are Forever, to which he replied "Never Again".
  • The Flight Saucer, Largo's send, is a translation of "the Disco Volante", the proper name of Largo'south send in Thunderball. In this film, the Disco Volante is a formidable vessel conspicuously based on a military cruiser hull, with a helipad and calibration which dramatically dwarf the vessel present in the official film continuity. The Disco is nevertheless the base of underwater operations by Largo. In real life, the send used in long shots was known as the "Nabila" and was built for Saudi billionaire, Adnan Kashoggi.
  • The casino where Bond and Largo go caput to head in a videogame was chosen Casino Royale.
    • This scene also prevented author John Gardner from having a somewhat similar scene involving Bond playing a figurer game over a LAN in Gardner'southward novel Role of Honor. Bail was supposed to exist playing a simulation of "The Boxing of Waterloo", this was later on inverse to a different type of game involving "The Battle of Bunker Hill". Interestingly, the Boxing of Waterloo would also play a part in the afterward official Bond film, The Living Daylights.
  • Originally, both this film and Octopussy were to be released to theatres simultaneously, which led to a brief flurry of media activity regarding the "Battle of the Bonds". Ultimately, it was decided to carve up the ii release dates.
  • McClory originally planned for the film to open with some version of the famous "gunbarrel" opening as seen in the official Bond series, but ultimately the pic opens with a screenful of "007" symbols instead. When the soundtrack for the film was released on CD, it included a piece of music composed for the proposed opening.
  • Klaus Maria Brandauer, who played Largo, was originally cast as Marko Ramius in The Hunt for Carmine October; the function eventually went to Connery.
  • Rowan Atkinson made his film debut in this picture. Atkinson, who later became famous for the Mr. Bean comedy series, played a British amanuensis in this movie, the bungling Nigel Small-Fawcett. Later he would play a James Bail parody in Johnny English language.

Come across also

  • The controversy over Thunderball.

References

  1. ↑ 1.0 1.1 Pfeiffer, Lee; Worrall, Dave (1998). The Essential Bail. London: Boxtree Ltd, p.213. ISBN 978-0-7522-2477-0.
  2. ↑ 2.0 two.1 Poliakoff, Keith (2000). "License to Copyright – The Ongoing Dispute Over the Ownership of James Bail". Cardozo Arts & Entertainment Constabulary Journal eighteen: 387–436. Benjamin N. Cardozo School of Law. Retrieved on 3 September 2011. Cite fault: Invalid <ref> tag; name "Poliakoff (2000)" divers multiple times with unlike content
  3. ↑ 3.0 3.1 Chancellor, Henry (2005). James Bond: The Man and His World. London: John Murray, pp.226. ISBN 978-0-7195-6815-2.
  4. ↑ 4.0 4.1 Macintyre, Ben (2008). For Yours Eyes Only. London: Bloomsbury Publishing, p.198-99. ISBN 978-0-7475-9527-iv.
  5. ↑ 5.0 five.ane v.2 5.iii Chapman, James (2009). Licence to Thrill: A Cultural History of the James Bond Films. New York: I.B. Tauris, p.184. ISBN 978-1-84511-515-9.
  6. ↑ 6.00 half dozen.01 half-dozen.02 6.03 6.04 6.05 six.06 6.07 six.08 6.09 6.10 6.11 6.12 6.thirteen 6.14 half dozen.xv 6.16 Barnes, Alan; Hearn, Marcus (2001). Buss Osculation Bang! Bang!: the Unofficial James Bail Film Companion. Batsford Books, pp.152-56. ISBN 978-0-7134-8182-two.
  7. ↑ 7.0 seven.1 7.2 7.iii 7.4 seven.5 7.vi 7.7 seven.eight Benson, Raymond (1988). The James Bond Bedside Companion. London: Boxtree Ltd, p.240-43. ISBN ane-85283-234-7.
  8. ↑ Mankiewicz, Tom; Crane, Robert (2012). My Life as a Mankiewicz. Lexington, KY: University Press of Kentucky, p.150. ISBN 978-0-8131-3605-9.
  9. ↑ La Frenais, Ian (1936–) and Clement, Dick (1937–). Screenonline. British Film Establish. Retrieved on 3 September 2011.
  10. ↑ Dick, Sandra. "Eighty big facts you must know nigh Big Tam", 25 August 2010, p. twenty.
  11. ↑ "A Rival 007 – Information technology Looks Similar Burton", 21 February 1964, p. 13.
  12. ↑ Davis, Victor. "Bond versus Bond", 29 July 1978, p. 4.
  13. ↑ Mann, Roderick. "Why Sean won't now be dorsum as 007 ...", 23 March 1980, p. 23.
  14. ↑ Black, Jeremy (2005). The Politics of James Bond: from Fleming's Novel to the Big Screen. University of Nebraska Press, p.58. ISBN 978-0-8032-6240-ix.
  15. ↑ 15.0 15.1 15.2 xv.3 15.four 15.v Smith, Jim (2002). Bond Films. London: Virgin Books, pp.193-99. ISBN 978-0-7535-0709-4.
  16. ↑ Chapman, James (2009). Licence to Thrill: A Cultural History of the James Bond Films. New York: I.B. Tauris, p.135. ISBN 978-1-84511-515-nine.
  17. ↑ Barbara Carrera. Official Gilded Earth Accolade Website. Hollywood Foreign Press Association. Retrieved on 2 September 2011.
  18. ↑ Best Performance by an Actress in a Supporting Office in a Motility Picture. Official Golden Globe Award Website. Hollywood Foreign Press Association. Retrieved on iii September 2011.
  19. ↑ Johnny English. Penguin Readers Factsheets (2003). Retrieved on 5 September 2011.
  20. ↑ "Director Peter Hunt – "On Her Majesty's Secret Service"", Retrovision. Retrieved on 5 September 2011.
  21. ↑ Armstrong, Vic (7 May 2011). I'one thousand the real Indiana (when I'm not busy being James Bond or Superman). Daily Mail service.
  22. ↑ Reeves, Tony (2001). The Worldwide Guide to Movie Locations. Chicago: A Cappella, p.134. ISBN 978-1-55652-432-5.
  23. ↑ Salmans, Sandra. "Lavish Lifestyle of a Wheeler-Dealer", 22 February 1985. Retrieved on 6 September 2011.
  24. ↑ Kurchak, Sarah (12 October 2015). Did Steven Seagal Break Sean Connery's Wrist with Aikido?. Vice.com. Retrieved on 24 November 2015.
  25. ↑ Bettencourt, Scott (1998). "Bond Back in Activity Once more". Motion picture score monthly .
  26. ↑ Fault on call to Template:cite web: Parameters url and title must exist specified. University of Motility Film Arts and Sciences.
  27. ↑ The Bat Segundo Prove: Bonnie Tyler (12 September 2008). Tyler also discusses this in the documentary James Bond's Greatest Hits.
  28. ↑ Burlingame, Jon (2012). The Music of James Bail. Oxford: Oxford University Printing, p.112. ISBN 978-0-19-986330-3.

External links

  • Never Say Never Once more (1983) at IMDb
  • MGM's page on the picture

hintonwombears.blogspot.com

Source: https://jamesbond.fandom.com/wiki/Never_Say_Never_Again_(film)

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